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Macro photograph of hand-dyed indigo silk textile showing deep blue pigment pooling in woven fibers
Black and white installation photograph showing large-scale textile work hanging in gallery space with dramatic lighting

"Exceptional tension between material
fragility and structural permanence—"

JURY NOTE // FIBER ARTS NOW 2023

Shortlisted — Grand Prix Category
LAUSANNE
BIENNIAL
SELECTION
2024

Permanent Collection

Museum of Arts and Design, NYC

Textile Works // 2018–2026

RECOGNIZED
BY HAND.

Hand-dyed, hand-woven, hand-stitched. Works held in museum collections, shown at international biennales, and available for acquisition.

14

International Awards

6

Museum Collections

38

Works Available

Regional & National Recognition // 2019–2023

THE EVIDENCE

Each piece carries its exhibition history. The awards are not decoration — they are the record.

Deep indigo textile with salt crystal formations woven into the surface, gradating from near-black at the top to pale blue at the base
Best in Fiber — Renwick Invitational 2021

Salt Flats, Dusk

2021 · 180 × 240 cm

Acquired
Close-up of fermented indigo textile showing organic blotch patterns in navy and cream on undyed wool ground
Jurors' Prize — Fiber Arts Now Annual 2022

Fermentation Study No. 3

2022 · 90 × 130 cm

Available
Textile panel in muted greens and blues with visible hand-stitched geometric sashiko patterns across the surface
Regional Excellence — Pacific Fiber Guild 2020

Monsoon Archive

2020 · 200 × 160 cm

Available
Translucent silk organza textile with botanical resist patterns and fine hand embroidery tracing topographic-like contour lines
Selected Work — American Craft Council Show 2023

Cartography of Touch

2023 · 120 × 180 cm

Available
Linen textile dyed with seaweed in earthy greens and tans with long hand-knotted fringe at the bottom edge
Honorable Mention — New England Textile Biennial 2021

Tide Pool Residue

2021 · 150 × 200 cm

Acquired
Handwoven twill textile with yellow-green to deep blue color gradient created through natural weld and woad dye overdyeing process
Purchase Award — Southern Highland Craft Guild 2022

Weld and Woad

2022 · 160 × 220 cm

Available

Juror

01

"The dye does not decorate the cloth. The dye IS the cloth. She has found a way to make color structural."

— Hana Mizushima, Juror, Lausanne International Textile Biennial 2024

International Biennales & Museum Acquisitions // 2022–2024

INSTITUTIONAL
SCALE.

Stakes Escalate

From regional juries to permanent collections. The work does not stop moving.

Large-scale vat-dyed indigo textile with steel armature creating dramatic three-dimensional folds that cast deep shadows in gallery lighting
Museum of Arts and Design, New York
Lausanne International Textile Biennial — Selection 2024

Indigo Sediment

2023 · 240 × 380 cm

Acquired
Shibori-dyed silk panel in deep indigo and white with gold thread hand-stitching creating topographic map-like patterns across the surface
Grand Prix Finalist — World Textile Art 2024

Resistance Map II

2024 · 160 × 200 cm

Available
Wide-format handwoven textile in Japanese indigo dye showing complex weave structure with multiple blues ranging from near-black to pale sky
Textile Museum, Washington D.C.
Acquisitions Award — Textile Museum Washington D.C. 2022

Archive of Blue

2022 · 300 × 180 cm

Acquired
Fermented indigo wool textile with hand-knotted pile creating tactile variations in depth and color, photographed in biennale installation context
International Jury Prize — Cheongju Craft Biennale 2024

Drift Notation

2024 · 180 × 220 cm

Available
Triptych of natural-dyed textile panels showing gradual color transitions with copper wire weft creating subtle metallic highlights
Solo Exhibition — Penland School of Craft Gallery 2023

Threshold Studies

2023 · 120 × 160 cm (triptych)

Available

Juror

02

"We acquired Indigo Sediment for the permanent collection because no photograph of it is accurate. You have to be in the room with it."

— Dr. Ravi Krishnamurthy, Acquisitions Director, Museum of Arts and Design, New York

Commission a Work

BUILT FOR
YOUR SPACE.

Every commission begins with a site visit or detailed brief. The work responds to your architecture — its light, its scale, its material register. Lead time is typically 4–8 months.

Custom dye palette

Natural or synthetic, matched to your specification

Any scale

From intimate 60×80 cm to architectural 4×6 m

Hospitality & residential

Site-specific installation support included

Certificate of provenance

Full material and process documentation

Large-scale commissioned textile installation in contemporary hospitality space showing indigo-dyed work spanning a double-height wall

Commission: The Aman Tokyo Lobby — 2023 · 4.2 × 3.8 m

Work Specifications

Step 1 of 3

Available for Acquisition & Commission

7 works currently available · Response within 48h

Acquisition Inquiry

INQUIRE ABOUT A PIECE

Thumbnail of fermented indigo textile with organic navy and cream patterns on wool ground

Fermentation Study No. 3

Thumbnail of muted green and blue textile with visible sashiko hand-stitching

Monsoon Archive

Thumbnail of translucent silk organza with botanical resist patterns and fine embroidery

Cartography of Touch

Thumbnail of handwoven twill textile with yellow-green to deep blue color gradient

Weld and Woad

Thumbnail of shibori-dyed silk panel with gold thread hand-stitching in map-like patterns

Resistance Map II

Thumbnail of fermented indigo wool textile with hand-knotted pile in biennale installation

Drift Notation

Thumbnail of natural-dyed triptych textile panels with copper wire weft highlights

Threshold Studies

We respond within 48 hours · No unsolicited marketing